Cordova House
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This area covers Downtown Tucson and its themes of frontier defense, cross-border commerce, civic leadership, cultural institutions, and transportation change.
In the late 18th century, the Spanish established a fortified presidio that anchored settlement and influenced the street grid. In the 19th century, adobe neighborhoods supported trade, ranching, and small enterprises that tied the town to Sonora and sustained local gathering places. By the early 20th century, new residences and civic offices consolidated authority and services, while cultural organizations grew around what is now the Tucson Museum of Art’s Historic Block. By the mid-20th century, highway-oriented development such as the Miracle Mile corridor redirected travel and business, and later decades brought urban renewal, preservation efforts, and a shift toward modern rail projects linking the university and downtown.
At the J. Knox Corbett House during Prohibition (1920–1933), household members ran a concealed attic gin still, supplying liquor for private functions while avoiding law enforcement.
At the Leonardo Romero House, carpenter Leonardo Romero built c. 1860 with a section of the Presidio wall embedded in its north wall, and later the site was repurposed as a ceramics studio to support community arts.
At Presidio San Agustin del Tucson in June 1782, an Apache attack exposed incomplete fortifications, prompting completion of 12-foot adobe walls and towers by May 1783 that protected residents for decades.
At the Old Pueblo Trolley Barn in 1993, volunteers revived a streetcar line between the University area and 4th Avenue using restored cars and uncovered early track, and the heritage service operated until 2011 before yielding to a modern system.
Cordova House
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