Portland Lloyd District Walking Tour

Regal Cinemas Lloyd Center 10 & IMAX, located in the heart of Portland's Lloyd District, has been a staple for movie enthusiasts since its opening in 1986 by Luxury Theatres[2]. The theater was later operated by Act III Theatres before becoming part of Regal Entertainment Group in 1998[2]. However, plans were unveiled in 2018 to replace this iconic venue with a new luxury cinema experience featuring 14 screens, luxury seating, and a full bar[1].

The decision to replace the existing theater was part of a broader urban redevelopment plan for the Lloyd Center area, which included the construction of over 1,300 new apartment units[1]. This transformation reflects a broader trend in urban planning, where mixed-use developments aim to revitalize city centers by combining residential, entertainment, and commercial spaces.

The new theater was intended to enhance the movie-going experience, offering amenities that appeal to a changing audience seeking more than just a film screening. This shift highlights how entertainment venues are adapting to consumer preferences for premium experiences[1].

Despite these changes, the original Regal Lloyd Center 10 & IMAX holds historical significance as a cultural landmark. Its replacement raises questions about preserving cultural heritage sites in rapidly developing urban areas[2].

Lloyd Center, located in the Lloyd District of Portland, Oregon, is a significant shopping mall that opened on August 1, 1960. It was the first major retail development to challenge Portland's downtown core, leveraging the city's growing freeway system[1][2]. The mall was envisioned by Ralph B. Lloyd in the 1920s but took over 35 years to materialize due to major historical events like the Great Depression and World War II[1][2].

At its opening, Lloyd Center featured a unique ice rink, which was only the second in the U.S. to be integrated into a shopping mall[1]. This innovative feature reflected the mall's commitment to providing a comprehensive shopping experience. The original anchor stores included Meier & Frank, Best's, Nordstrom's Shoes, J.C. Penney, Woolworth, and J.J. Newberry[2].

The grand opening was officiated by Oregon Governor Mark Hatfield and Portland Mayor Terry Schrunk, marking a pivotal moment in Portland's retail history[1]. The mall's design and features were designed to attract commuters using the adjacent Banfield Expressway, positioning it as a hub for suburban shoppers[2].

The "Constellation" sculpture series, located in Holladay Park, Portland, Oregon, is a notable public art installation created by American artist Tad Savinar. This series consists of three distinct bronze sculptures: "Constellation (Vase of Flowers)," "Constellation (Molecule)," and "Constellation: Neighborhood Gardiner." The sculptures aim to illustrate the connection between personal front yard gardens and civic parks/gardens[1].

The decision to include specific objects in the "Molecule" sculpture was made by the Sullivan Gulch Neighborhood Association. These objects include a bagel, coffee mug, garden tool, house, milk carton, school, a family, and trees, symbolizing elements of a "good neighborhood"[1].

The installation was funded by the City of Portland's Percent for Art program and is part of the City of Portland and Multnomah County Public Art Collection. The sculptures serve as a physical representation of community involvement and artistic expression in the Lloyd District area[1].

The Lloyd Center, once a thriving mall in Portland's Lloyd District, faced significant decline in the 1990s as major department stores closed. However, in recent years, it has experienced an unexpected revitalization. The mall was leased out to independent businesses at affordable rates, attracting a diverse range of tenants, including art schools, a pinball museum, and a store for magicians[2].

This transformation was facilitated by short-term leases, allowing small businesses to flourish without the burden of high startup costs. The mall now hosts various community activities, such as holiday markets and art exhibitions, and has become a hub for local creativity and entrepreneurship[2].

The "Capitalism" sculpture, located outside the main entrance, serves as a symbolic backdrop to this transformation. Created by Larry Kirkland in 1991, it features a stack of coins with inscriptions about capitalism, reflecting on the relationship between money and commerce[1][2].

The revitalization of the Lloyd Center highlights the potential for underutilized spaces to be repurposed and become vibrant community centers. Despite plans for redevelopment, the current use of the mall showcases the resilience and adaptability of local businesses and communities[2].

Hassalo on Eighth is a LEED ND Platinum community located in the Lloyd District of Portland, Oregon. It was transformed from an underdeveloped urban commercial zone into a vibrant, eco-friendly neighborhood through a significant redevelopment effort. The project, completed in 2015, features over 650 sustainable housing units and is part of the Lloyd Eco-district[1].

One of the pivotal moments in this transformation was the implementation of the Natural Organic Recycling Machine (NORM), which treats 100% of the development's wastewater on-site. This innovative approach not only conserves water but also reduces strain on the city's infrastructure, leading to significant cost savings[1]. The city recognized these efforts by discounting system development charges by 60%, reflecting the project's contribution to environmental sustainability.

The development also emphasizes livability with extensive bike infrastructure, including North America's largest bike hub, and pedestrian-friendly amenities. These features have made Hassalo on Eighth a model for sustainable urban design, attracting residents who value eco-friendly living[1]. The project's success is further highlighted by its numerous awards for sustainability and design excellence.

The Bess Kaiser Hospital, located in north Portland, Oregon, was opened in 1959 by Henry J. Kaiser's hospital network. This facility was named after Henry Kaiser's deceased wife, Bessie H. Fosburgh Kaiser[1]. The hospital replaced the Northern Permanente Hospital in Vancouver, Washington, and its establishment marked a pivotal moment in the expansion of healthcare services in the region[1].

The decision to build Bess Kaiser Hospital was part of a broader strategy by Kaiser to improve healthcare access. During World War II, Henry Kaiser and his associates recognized the need for better medical care for shipyard workers and their families. This led to the formation of the Permanente Foundation, which provided prepaid healthcare services[2]. The success of this model allowed Kaiser Permanente to grow significantly, with the Bess Kaiser Hospital playing a key role in this expansion[1].

The hospital's design was overseen by Wolff-Zimmer Associates, reflecting the architectural styles of the late 1950s[1]. The establishment of Bess Kaiser Hospital not only improved healthcare infrastructure but also contributed to the economic and social development of the Portland area. It symbolized a shift from industrial to healthcare-focused infrastructure, highlighting the region's adaptability and growth[2].

"The Dreamer" is a 1979 muntz bronze sculpture and fountain located in Pettygrove Park, Portland, Oregon. It was created by Manuel Izquierdo and funded by the Portland Development Commission[1]. The sculpture is a reclining woman, described as a "modern river goddess," and is part of the City of Portland and Multnomah County Public Art Collection[1].

The design of "The Dreamer" involved innovative techniques. Izquierdo used surplus Navy bronze and filled the sculpture with foam to create a unique sound effect when rain fell on it, producing a gentle sound akin to a kettledrum rather than a ringing noise[2]. This design choice reflects the artist's intention to create a piece that "speaks of hope, of beauty and serenity, of love, and for a better life in our midst"[3].

The installation of "The Dreamer" in Pettygrove Park marked a pivotal moment in Portland's public art history, showcasing the city's commitment to integrating art into urban spaces. The sculpture's flowing, abstract form has become a notable landmark in the area, symbolizing serenity and beauty amidst the bustling city environment[3].

The Spirit of 77, located in Portland's Lloyd District, is a sports bar named after the Portland Trail Blazers' 1977 NBA championship win. This pivotal moment in Portland's sports history marked the city's first major league championship, bringing significant attention and pride to the community[1]. The championship series against the Philadelphia 76ers was a defining moment for the Blazers, with key players like Bill Walton and Maurice Lucas playing crucial roles[1]. The series' impact was not just on the team but also on the city, as it helped establish Portland as a prominent sports city[1]. Today, the Spirit of 77 bar continues this legacy by hosting sports events and fostering community engagement among fans[2].

The championship win was a result of strategic team decisions, such as Maurice Lucas's handshake with the opposing team before Game Three, which is often cited as a turning point in the series[1]. This gesture broke traditional battle lines and showed a new level of sportsmanship, contributing to the Blazers' eventual victory[1]. The physical evidence of this era, including photographs and framed newspaper articles, still resonates with fans today[1].

The Spirit of 77 bar serves as a physical reminder of this historical event, providing a space for fans to relive the excitement of the Blazers' championship season[2].

The Oregon Convention Center, located in the Lloyd District of Portland, Oregon, is a premier event venue that has undergone significant transformations. Opened in 1990, it initially provided a substantial space for conventions and meetings. However, it was the major expansion in 2003 and the comprehensive renovation in 2018 that truly elevated its status as a leading event center[1].

The 2003 expansion added significant exhibit hall space, while the 2018 renovation focused on modernizing facilities and enhancing the aesthetic appeal of the center. This included a $2.5 million investment in public art, reflecting Portland's vibrant cultural scene and connection to nature[2].

The renovations not only increased the center's capacity but also improved its functionality, making it an attractive venue for large-scale events like the Pacific Northwest International Auto Show and Rose City Comic Con. These upgrades were part of a broader strategy to support local businesses and community events, aligning with Portland's entrepreneurial ethos[3].

The expansion and renovation efforts were driven by the need to accommodate a growing demand for event space in Portland. The center's ability to host over 550 events annually, including city-wide conventions and community gatherings, underscores its role as a central hub for social and economic activity in the region.

The Korean Temple Bell, located outside the Oregon Convention Center in Portland's Lloyd District, was dedicated on January 11, 1989. This bronze bell was a gift from the people of Ulsan, South Korea, and was part of a sound installation called "Bell and Wind Environment" by composer Robert Coburn[1]. The bell's installation was funded through the Convention Center's One Percent for Art program and private donations, costing $59,000[1].

The bell's placement raised concerns among some residents due to its religious symbolism, reflecting broader debates about public art and religious expression in public spaces[2]. Despite these concerns, the bell remains a notable piece of public art in Portland, complemented by another bell, Bell Circles II, dedicated in 1990[3].

The dedication of the Korean Temple Bell occurred during a period of significant development in the Lloyd District. This area had been envisioned as a "second downtown" by early developers like Lloyd, who sought to transform it into a hub of commercial and residential activity. While Lloyd's plans faced setbacks, including the stock market crash of 1929, the area eventually flourished with the development of office spaces and shopping centers.

Today, the Korean Temple Bell stands as a physical evidence of Portland's cultural exchange and public art initiatives, reflecting the city's engagement with international communities and artistic innovation[1].

The Little Prince sculpture, located in the Rose Quarter of Portland, Oregon, is a notable piece of public art created by Ilan Averbuch in 1995. This copper and steel sculpture is part of the City of Portland and Multnomah County Public Art Collection, courtesy of the Regional Arts & Culture Council[1][2].

The sculpture's design reflects themes of imagination and desires, symbolized by a partially buried copper crown at the south end of the arena[2]. The decision to install this sculpture in the Rose Quarter underscores Portland's commitment to integrating art into urban spaces. This choice was pivotal in enhancing the area's aesthetic appeal and fostering a sense of community engagement with public art.

The physical installation of the sculpture involved careful planning to ensure its stability and longevity. The process likely included securing the structure to withstand environmental conditions and ensuring it blended harmoniously with the surrounding architecture. While specific details about the installation process are not widely documented, the sculpture remains a testament to the city's efforts in promoting public art.

Today, the Little Prince sculpture continues to be a part of Portland's vibrant cultural landscape, attracting visitors and locals alike to the Rose Quarter.

Moda Center, located in the Rose Quarter of Portland, Oregon, is a prominent multi-purpose arena that opened in the fall of 1995. Originally known as the Rose Garden, it was renamed Moda Center in 2013 following a partnership with Moda Health[1][2]. The arena's first concert was a pivotal moment, featuring David Bowie and Nine Inch Nails on October 25, 1995. This event marked the beginning of a long history of hosting diverse performances and events, including sports games, family shows, and political rallies[1][2].

The decision to build Moda Center was driven by the need for a larger venue to replace the Veterans Memorial Coliseum, which was the original home of the Portland Trail Blazers and Winterhawks[2]. The construction of Moda Center was a significant investment, costing $267 million, and it has since become a central hub for sports and entertainment in Portland[1][2].

The arena's design allows for flexible configurations, accommodating up to 20,000 spectators for various events. This versatility has enabled Moda Center to host a wide range of activities, from concerts and ice shows to conventions and rodeos[2]. The partnership with Moda Health not only renamed the venue but also emphasized community engagement and healthy living initiatives[1].

Right 2 Dream Too, located in the Lloyd District of Portland, Oregon, is a self-managed camp for unhoused individuals that has been in operation since 2011. Established on World Homeless Action Day, it provides refuge and a safe space for those unable to access affordable housing or shelters[1]. The camp has faced significant financial challenges, with less than two months of operating revenue remaining as of early 2024[2]. This funding crisis threatens the closure of the overnight shelter, which serves up to 60 people daily, offering essential services like bathrooms, showers, and medical supplies[2].

The camp's history includes a contentious relocation from Old Town to its current site, facilitated by city support in 2017[2]. Despite these efforts, Right 2 Dream Too continues to operate on a shoestring budget, relying on grants, donations, and occasional city funding[2]. The camp's low-barrier policy makes it a critical resource for vulnerable populations who might otherwise struggle to access help across the city[2]. Volunteers and donors play a crucial role in maintaining operations, with efforts like a GoFundMe campaign aiming to secure additional funding[2]. The potential closure of Right 2 Dream Too would not only displace its residents but also highlight the broader challenges of homelessness in Portland[2].

Veterans Memorial Coliseum, located in the Lloyd District of Portland, Oregon, is a notable example of mid-century modern architecture. Opened in 1960, it was originally designed to be a wooden structure, but cost and safety concerns led to the use of gray glass and aluminum instead[1]. The building's innovative design features a non-load-bearing curtain-wall cube around a central ovular concrete seating bowl, supported by four 70-foot concrete piers, allowing for an interior free of columns[1]. This design choice was significant as it provided unobstructed views and a unique aesthetic, earning it the nickname "The Glass Palace"[1].

The Coliseum's construction was financed by an $8 million bond approved by voters in 1954, reflecting the community's commitment to cultural and memorial spaces[1]. Its dedication on January 8, 1961, honored veterans of all wars, with a war memorial consisting of two black granite walls inscribed with the names of the deceased[1]. The building's design and purpose have been preserved through its listing on the National Register of Historic Places in 2009 and its designation as a National Treasure in 2016[2].

The Coliseum has hosted numerous significant events, including performances by The Beatles and an address by the Dalai Lama, showcasing its versatility as a venue[3]. Despite facing threats of demolition, the community's efforts have ensured its continued use and preservation[2].